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Art Forms in Nature: Prints of Ernst Haeckel

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Tsutsui H (2000) Digital characterization of silicoflagellate for numerical taxonomy. Geoinformatics 11(1):35–42 Lazarus D (1986) Three-dimensional measurement of microfossil morphology. J Paleontol 60(4):960–964 Sabin JE, Jones PL (eds) (2017) LabStudio: design research between architecture and biology. Routledge, Abingdon

Shirley P, Wyman C (2017) Generating stratified random lines in a square. J Comput Gr Tech 6(2): 48–54. http://jcgt.org/published/0006/02/03/ Stafford BM (1991) Body criticism: imagining the unseen in enlightenment art, science, and medicine. MIT Press, Cambridge, p 84 Ozin GA (1997) Morphogenesis of biomineral and morphosynthesis of biomimetic forms. Acc Chem Res 30(1):17–27 Maartens A (2017) On Growth and Form in context–an interview with Matthew Jarron. Development 144(23):4199–4202Sigwart JD (2008) Crystal creatures: context for the Dublin Blaschka Congress. Hist Biol 20(1):1–10 Sabin JE, Jones PL (2008) Nonlinear systems biology and design: surface design. In: International conference ACADIA proceedings At the end of the 19th century, society was changing rapidly: industrialisation was growing and with it pollution, cities were becoming ever bigger and more chaotic. Art Nouveau artists wanted to reset the relationship between man and nature, so they looked to the natural world to inspire their art, design and architecture. Wertheim M (2009) Margaret Wertheim on the beautiful math of coral. TED talk. https://www.ted.com/talks/margaret_wertheim_crochets_the_coral_reef

Dyke GJ, Julia S (2005) The search for a ‘smoking gun’: No need for an alternative to the Linnean system of classification. In: Minelli A (ed) Animal Names, Istituto Veneto di Scienze, Lettere ed Arti, Venice, pp 49–65 Records the default button state of the corresponding category & the status of CCPA. It works only in coordination with the primary cookie. Ritterbush PC (1968) The art of organic forms. Smithsonian Institution Press, Washington, DC, pp 64–65 Donofrio M (2016) Topology optimization and advanced manufacturing as means for the design of sustainable building components. Procedia Eng 145:638–645 Merkle A, Boone M, van Loo D (2018) In situ Dynamic X-ray Tomography in the Laboratory. Microsc Microanal 24:998–999

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Waddington CH (1951) The character of biological form. In: Whyte LL (ed) Aspects of form: a symposium on form in nature and art. Publishes, New York, Pelligrini and Cudahy, pp 43–52 Kimoto K, Osamu S, Harumasa K, Masahide W, Tomohisa I, Tomohiro I, Naomi H, Makio H (2013) Seasonal carbonate dissolution at the water column in the North Pacific: the evidence from the Micro-focus X-ray CT Technology. ESSAS Annual Science Meeting, Hakodate, Japan. ( https://www.youtube.com/watch?v=mWm5q_gkuQ8 ) Delue RZ (2010) A combined review of: Darwins Korallen: Frühe Evolutionsmodelle und die Tradition der Naturgeschichte; Endless Forms: Charles Darwin, Natural Science, and the Visual Arts; The Art of Evolution: Darwin, Darwinisms, and Visual Culture; and Darwin’s Pictures: Views of Evolutionary Theory, 1837–1874. Art Bull 92(4):386–391 Bertini M, Verveniotou E, Lowe M, Giles Miller C (2016) Laser ablation inductively coupled plasma mass spectrometry investigation of late 19th Century Blaschka marine invertebrate glass models. J Archaeol Sci Rep 6:506–517 Wertheim M (2007) A field guide to hyperbolic space: an exploration of the intersection of higher geometry and feminine handicraft. Institute for Figuring, Los Angeles

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