Cloud Microphones Cloudlifter CL-1

Product Information

Sometimes the best equipment is the hardware you have to remind yourself that you own, and a Cloudlifter is definitely a silent hero. If your microphone has a low sensitivity, you need a gain booster like the CL-1 Cloudlifter to give it the amplification it needs. Simply connect the CL-1 between your microphone's output and your preamp's input, then engage the +48V phantom power on the pre to kick on the CL-1's gain boost, requiring less muscle from your interface's preamp.

Some of your favourite microphones are low-output, which can be challenging due to the gain and impedance requirements. This product exists mostly because there’s a strange idea out there that you absolutely need a high-end mic like the Shure SM7B or Electro-Voice RE 20 to get good sounding recordings, and that’s simply not true. Having just re-read what I’ve written so far, the explanation of what I did seems much more complicated than the actual process.Explore options like active or passive models, switchable for music or voice and equipped with built-in Cloudlifter technology. Before that test, I never even considered there might be a delay using EZdrummer, but then four samples isn’t all that much, and it’s not like I’m doing a lot of technopop productions. I don’t understand the point of the cloudlifter if the level achieved has the same amount of preamp noise on both.

So, no matter how dramatic of an impact this transparent technology may have on your recordings, you can be sure you're really just hearing your mic at its best. Lately, legendary audio innovator Bob Heil has become more well-known for his institutional sound reinforcement and broadcast products than for creations such as the Heil Talk Box and Grateful.KMR Audio Ltd is a credit broker and is Authorised and Regulated by the Financial Conduct Authority. Recording quiet instruments with low-output mics can often sound wonderful, tonally, but can be problematic in terms of noise floor from the microphones themselves or from preamps without ample quiet gain. The main feature of the CL-Z is a great big "Z" knob that lets you adjust its input impedance from 150 Ω up to 15 kΩ — that's like night and day — and everything in between. The CL-1 Cloudlifter rescues people with mismatched equipment by using your interface’s phantom power (that +48V button on the front).

Powered by phantom power from your interface, mixer, or preamp, the CL-1 will clean up phantom power to boost even the most sensitive ribbon microphones, letting you get the very most of them without risking causing any damage to them. In large venues, it boosts the signal enough to drive your signal over long XLR cables ensuring optimum sound quality. If you’ve noticed your recordings are very quiet or that turning the gain up makes them very noisy, an in-line gain booster like the CL-1 Cloudlifter can help you out. Main FeaturesStylish USB microphone with a striking vintage design24 bit / 48kHz recordingFive onboard DSP presets to cover all usesHeadphone outputIncludes a Micro-B-to-USB cable for connection to a. For my purposes, I used to record myself banging on a kitchen pan to record snare tracks, and then replace the pan sound with a real snare using SoundReplacer.From stage to studio, the Cloud Microphones Cloudlifter Mic Activator lets you get the best possible audio output from your low-output dynamic and ribbon microphones. Enclosed in a rugged steel enclosure offering excellent shielding, the CL-1 additionally has provisions for stage or stand mounting with the included strap. In the demo version, the MIDI is generated at C3, but you can change that to C1 or any other configuration in the paid version.

The acid test for hearing differences between audio tracks is to invert one of the two and play them back together, in mono.

Turning the Z knob to the left gives a darker tone, while turning to the right feels like opening up the top end.